In my recent post about noteworthy final shots of 2013, I could have mentioned Carlos Reygadas's Post Tenebras Lux, which received its first Chicago run last year (and screened again at Doc Films this past weekend as part of their series of new Latin American cinema). Reygadas concludes his autobiographical free-for-all—which is by turns exalted, dreamlike, and perverse—with a relatively prosaic sequence, which depicts a British boys' rugby team huddling before a big game.…
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